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[snaggleteeth]

WELCOME TO THE SALTBURNT NETWORK

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QIMIR

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Comments

[snaggleteeth]

Keep it up and your face will get stuck like that. What will your favorites say?

[kobes]

about my mouth being open all the time?
theyll love it probably.

[koby.]

[snaggleteeth]

But they want to stare into your eyes while they fuck you. So, problem.

[kobes]

how do you know
did you ask?
at a party??
youre supised to be partying

[snaggleteeth]

That would be very good party conversation at Saltburnt manor. I'm great at parties. And I can hold my liquor.

[kobes]

im great and can hold my liquor dont be meannnnmmm

[snaggleteeth]

In your hands, maybe. In your stomach, if you don't keep going.

I'm trying to figure if you'd say you were great, if you were sober. It's sad I'm not sure.

[kobes]

im great at some stuff.
winking.

this liquors different.

[snaggleteeth]

Different, how?

[the response is a tad belated. noise, obligations. and why did balloons fall out of the ceiling or whatever.]

[kobes]

[koby had a similar, alarmed reaction, and is now texting from under a table where he jumped to hide himself.]

pink in it.

[snaggleteeth]

You're great at disappearing. That was fast. Lightning at sea.

Don't be scared. Buffy will protect you.

[kobes]

loud noises
on the dhip cannons meant time to hide
until we had to kill people then i had to get the mop

not SCARED
just quieter here.

[snaggleteeth]

Not the ship, though. Not cannonballs, but balloons. Not then, but now. Not under your captain, but with your friends. And me, somewhere across the room.

[kobes]

why acorss room
come over

[snaggleteeth]

I can't fit under a table. Have you seen me? I'm huge.

[kobes]

lying to me
you did at the library
under my desk!!!

→ action

[snaggleteeth]

[but he wasn't wearing these terrible clothes in the library, which are stiff, heavy, terrible to move around in. you even have to unbutton the jacket just to sit down. the stranger has been complaining about it in the privacy of his own head for the past forty five minutes, unwilling to forfeit wanda's weirdly specific joy or his brief reprieve from cancelation for his wisdom about vampire attacks. he doesn't reply.

instead, a glass of water pokes in under the tablecloth by koby's head, the meniscus of water seesawing dangerously without spilling. the next moment, 'qimir' is there. his (unbuttoned) jacket bunching as he makes his initial crouch. he slides in with the same fluid grace from the library. the top of his skull travels an inch shy of the table's underside, needing none of the conventional five senses to measure it.

the stranger finds koby in the gloom just as easily. some of that because of glitter, uneven constellations refracting colored light from koby's face. some of that, the vivid anima of haki. most of it, simply, because koby is hard to miss—bright in the light, pale in the dark. touchable in the diffuse shadows of liminal spaces and stolen minutes between busy dozens of obligations.]

Don't fuckin' tell Wanda, [he mutters, already dropping a shoulder, shrugging out of his jacket.] And drink this. [bossy. he knows, he knows.]

[kobes]

[koby doesn’t get drunk, is the thing – he’s been raised on a diet of rum, like any east blue child would, safer and cleaner than water in most cases, milk too expensive by far to waste on orphans. he can even handle the harder white liquor that comes in shots at nice restaurants – within reason. but he’d also grown up with very, very little sugar in his diet, an impractical flavor at sea, none of the necessity of citrus nor the longevity of salt.

so mixing booze with the sugary, pink-puckery punch at buffy’s prom/birthday had resulted in a drink that went down easy, but hit koby with the force of a brick to the head. a giggly, pink-cheeked, immediate-scooting-over-and-snuggling-up-to-qimir brick.]

No. [whispered, to the water, even as koby takes it, sips it, reflexively bratty, instinctively obedient. he hiccups mid-sip, makes a face at qimir like it’s his fault, then reaches out to tug at the still-on sleeve, clumsily trying to assist with the jacket removal.] Why’re you taking your clothes off. [another gulp of water.] Toldja you’d fit.

[snaggleteeth]

I don't like these clothes, [feels accurate enough, before the stranger amends,] for me, [because koby is wearing a jacket, too. also black. narrower in cut, youthful flair of modernity to it. no shirt, bold choice. the stranger finds he cannot remember whether koby was wearing a shirt earlier. he had been too far away. he would have remembered the faded seams of scar tissue winking up at him like a dirty punchline.

his arm closes around koby because that is how the human body arranges itself in gravity, when another happens to have flung itself over with dangerous abandon. with koby's help (or koby's interference), the jacket is evicted to just one wrist. the stranger manages to jiggle the rest of it off, his other elbow making an imperfect, geometric cradle under the pink fluff of koby's hair, around his shoulders. maybe if he were more drunk, he wouldn't mind formalwear, either.] Hey. Hey, hey.

You did a good job tonight. [his palm sweeps up koby's face in easy confidence, no caution spared to dodging his pupil's eyes because the stranger does not need sight to see. raking the pink fall of hair out of his eyes, pinning out to the crown of his head under the crook of his pinkie. removing the jacket was timely. koby emits heat like molten marzipan squirming in the pan.] Ani and Buffy are having fun, considering.

[kobes]

Ohhhhhhh. [long, drawn out, accompanied by a nod that bumps koby’s chin into qimir’s shoulder, prompting him to wiggle under the arm that curls relaxed, like a settling cat, heavy and warm and placid. koby’s still small, he’ll always be smaller, a fact carved into the make-up of his body, but he’s honed the planes of his chest, his stomach, his waist as tense and carved as possible, swimmer-toned, lean and ropy, the scars settled in the natural crease of pectoral like they belong there.

the compliment has him preen a little, bumping up into the big hand through his hair, eyes half-lidded, glasses down on the tip of his nose again, slipped there once more through the heat and the chaos of the night. it’s good chaos, though, bubbly and bright like the punch, the emotions of people who’ve chosen to have a good time, and maybe that’s part of koby’s giddy state, contact high from happiness.

but his eyes close all the way once qimir’s hand settles, raking his hair back, exposing another scar, the x-shaped one on koby’s forehead, usually hidden by the overgrown flop of pink.] Had to fix it. [blunt, unfiltered, not that koby usually leans cagey, but it’s without tiptoeing, this time.] S’my fault. [and he leans into qimir’s hand, rests more of his weight there, and the make-up and glitter had hidden a lot, but this close it’s easy to see the dark shadows under his eyes, the weariness in the way his shoulders droop.] Had to make it better.

[snaggleteeth]

I used to fix things. [the stranger is never tired of arguing, but he knows it's—unproductive, past a point. beyond enough repetitions. with specific superheroes. every strategy involves time and place, and the underside of a prom table is, maybe, not the place to haggle over profit shares of moral culpability.] People. Machines. Birds. It's a good feeling.

[balanced in his hand, koby's head feels fragile. a globe with unexplored countries colored in it, continents scarred in his forehead, private vistas in his head. he does, admittedly, consider pressing his thumb on the boy's windpipe and sucking the staggered breath suggestively out of his mouth, but that's—just routine neural pathways, really. the stranger does not choke koby at prom. that would be weird, even for him.]

[but it won't hurt anybody, to draw a finger down the line of koby's jugular, to measure koby's weight fluctuations by the depth of koby's collarbones, the heel of his hand on them. he pets koby's hair, as if he were a flightless seabird from home, tamed by the instinct to camouflage itself as stone. for once, it's not didactic.] Meant I had control.

[kobes]

Birds. [it’s bemused, almost a snort, the mental image sending a cascade of memories that bleed out like water through loose-cupped hands – birds on wing, birds on waves, birds catching fish, birds leaping up in a riot of snowy feathers when a gaggle of gangly girls runs through them, varying ages, toddler to teen, all in matching uniforms, chasing and hollering on a beach on a sunny day, careless and laughing with the reckless freedom of childhood. and – plaid skirts above bony knees, long, long pink hair in pigtails, shoulders scrunched up and forward to concave the shape of a budding chest, one hangs behind, pushes up purple-rimmed glasses and watches the others play.

the thought passes, but koby is quieter in the wake of it, not even twitching when qimir’s finger grazes down over another scar – a constellation, forehead to throat to chest, skipping over the labor-scars on koby’s knuckles, the whip-scars on his back, the smaller marks of a life hard-won. the one around his throat sits like a collar, like a noose, on bad days, bisects windpipe and jugular both, once-upon-a-time snapped each one. he thinks about birds, about boats, about water-swollen decks covered in blood. about mopping them clean, for 730 days and counting.]

I mended the sails. [faraway, tipping his head towards the petpetpetting of qimir’s hand.] And – went up the mast to see if the rigging had any weak spots. I fixed them, up there. [koby’s eyes flick up, towards the underside of the table, thinking about the stomach-cramping fear, being so high up, no spotter, no harness, nothing to keep him from falling right out of the crow’s nest and splattering on the deck, or plunging into the sea.] I fixed a lot of things. [a thoughtful beat.] I never felt in control, though.

[a logical fallacy: why, then, does he keep trying?]

cw dysmorphia, injuries

[snaggleteeth]

Then you were more honest with yourself than most people are.

[it's always a fallacy. illusion. control is a struggle in futility that causes more pain. this truth was somewhere in the way the sith think. admittedly, the jedi, too. he was becoming neither.] Just not ready to accept—something. Maybe for the better. [he doesn't have to be in koby's head, needs not break his promise, to guess that somewhere in the sog of koby's seafaring history, there was a dress, many humiliations, a slow-moving fear of growing into wide hips and perhaps even the wrong name. the stranger doesn't make oaths often; he's trafficked in the nightmares of many.]

Do you ask for hormones here? [absent-minded question, while his nose is going around the peach-fuzzed arc of koby's ear, in the side of his neck, notching between the splay of his own fingers to meet the scar collaring the neck. he doesn't like the idea of getting on of those. kindly ignore the fact this tactile analysis means he's nuzzling koby's neck, exposed by the loll of the head into his other palm. the sith do not need eyes to see, or skin to touch, breath to smell the salty sweat secretly stashing glitter down here. but a sith will use them anyway, pillowing koby's head on one shoulder, his voice diminishing into the mumble in the crook of koby's shoulder.]

I know that's not what you're sad about. Just asking.

cw: dysphoria, transphobia continues

[kobes]

[wrong name, similar syllables stinging incorrect in a way that had him tight-breathing and fidgety since his earliest, babiest days – yes, wrong name, but wrong life too, the responsibility of the younger girls koby’s to carry since he was old enough to lift the babies onto his hip, to braid their hair and dry their tears and tell them stories. and he didn’t know in the moment why, didn’t start to understand until his teenage years, when his peers began disappearing one by one – married off, married off, working as a maid, working as a barmaid, the dress and the smile and the swallowed-back horror of being trapped, trapped by babies and servitude, bound in marriage or service to a man who’d tell koby what to do, where to go, what to say, forever.

(ironic, perhaps, that after escaping, he’d immediately found another way to swear himself – maybe it was in his blood, in his bones, as inescapable as his body, scarred and altered as he’s made it).]

– oh. [the question is an interesting one, but the sound is mostly because of qimir nuzzling his ear, his neck, where the little curliques of pink at his nape curl with moisture, heat.] I – no. I didn’t – I thought I was the only one like me, until I got here. [a singular cosmic mistake, put together incorrectly, sent out into the world anyway.

then, a little huff:] And at first I was – nervous? We can’t even eat or drink regularly here, I didn’t know if…the house would give me something that would hurt me. [it’d be just his luck, tiptoeing to the impossible possibility and coming away burned, hurt.] And then we didn’t have a doctor who could help for a long, long time.

[a beat.] I’ve thought about it. Wondered. [he’s worked tirelessly, sit-ups and push-ups and weights and running, honed himself into a bulkier, stronger version of the boy he’d been when he arrived.] There’s a doctor now, but he’s – hmmn. [a bit of a face – the man’s screen name is “piss sommelier” after all.]

cw systemic transphobia, dysphoria

[snaggleteeth]

[ah yes. the piss sommelier. older man. nice body to hold, struggling and saying stupid shit, against a wall. not necessarily someone you'd want sticking you with hormones. works at the pink slip, the stranger understands. he nods very reasonably, which has the pleasant secondary effect of wallowing his face in the salted vanilla dip of koby's throat.]

Tell Ani you're doing it. She'll make sure he gives the right dose. [he stops—whatever, rooting for truffles, snorting glitter, performing a coarse, high-level olfactory analysis of koby's hormone balance through the leavings in his pores down there. sniffs loudly of the air, running a thumb down the line of his own nose. squinting in the dark. he has to be careful, especially without telepathy to cheat. such matters were different in his galaxy. inter-world commerce robust, exchange of cultures and medicine so fluid. once upon a time, he'd called a dead girl it because he knew it was violence, but it's different, if gender stands between you and becoming.

unthinkable here. he does not bury his face in koby's hair, so much as he sifts through it with the tip of his nose. as if the shape of his pink scalp might intimate thoughts in absence of psychic permission. a one-armed squeeze takes stock of the torso held hostage.] You putting on muscle because you're a boy, or for fighting?